Listen to a new music single, titled “Rebel Time”, performed by two Jamaican legends: Beres Hammond and Sean Paul.
Their new anthem is a fusion of lovers’ rock and signature dancehall beats, creating an infectious groove that will have listeners moving to the rhythm with ease.
Produced by legendary producer Sly Dunbar along with Dutty Rock, this record has received a lot of praise with Sean Paul’s recognizable voice and flow blend seamlessly with Beres Hammond’s smooth and soulful reggae vocals, resulting in a feel-good single that celebrates breaking out of the norm and daring to be bold.
While reggae & dancehall fans are well familiar with both Beres Hammond and Sean Paul, not everybody knows the depth of Jamaican music producer Sly Dunbar.
Sly Dunbar, whose full name is Lowell Charles Dunbar, is a highly influential Jamaican drummer and music producer, that has made significant contributions to the development and popularity of reggae and other genres of music.
Sly Dunbar is best known as one half of the renowned rhythm section duo Sly and Robbie, along with bassist Robbie Shakespeare. Together, they have created some of the most iconic and influential rhythms in reggae, dub, dancehall, and other genres. Their unique and innovative style has made them highly sought-after musicians and producers both in Jamaica and internationally.
Throughout his career, Sly Dunbar has worked with a multitude of artists across various musical genres. He has played drums on countless recordings for Jamaican reggae legends such as Bob Marley, Peter Tosh, Black Uhuru, and Burning Spear.
His distinctive drumming style, characterized by his impeccable timing, deep grooves, and use of electronic drum effects, has become synonymous with the sound of reggae and dub music and has contributed to numerous hit songs and albums, producing and co-producing projects for artists like Grace Jones, Mick Jagger, No Doubt, and Sinead O’Connor, showcasing his versatility and ability to work across different genres.
Sean Paul & Beres Hammond – ‘Rebel Time’ (Lyric Video)
Beres Hammond, is a well known highly acclaimed Jamaican reggae singer and songwriter. With his smooth and soulful voice, heartfelt lyrics, and captivating stage presence, Beres Hammond has become one of the most respected and beloved figures in the reggae music industry.
Hammond’s career spans several decades, beginning in the 1970s when he first gained recognition as a member of the band Zap Pow. However, it was his solo career that propelled him to international success and cemented his status as a reggae icon.
Known for his versatility, Beres Hammond‘s music encompasses various subg-enres of reggae, including roots, lovers rock, and dancehall. His soulful ballads and socially conscious songs have resonated with audiences around the world, earning him a loyal fan base and critical acclaim.
As for iconic dancehall superstar Sean Paul‘s impact on popular music and his contributions to dancehall and reggae cannot be overstated. With his dynamic stage presence, catchy melodies, and cross-genre collaborations, he has played a pivotal role in bringing Jamaican music to a the forefront and to global audience. Sean Paul’s infectious rhythms and charismatic persona continue to make him a beloved and influential figure in the music industry.
Paul’s breakthrough came in the early 2000s with his album “Dutty Rock,” which spawned several hit singles and catapulted him into international stardom. The album featured the chart-topping singles “Gimme the Light” and “Get Busy,” these songs, with their infectious rhythms and Sean Paul’s distinct vocal style, introduced dancehall music to a wider global audience.
[toggle title=”Rebel Time Lyrics”]
Easy like the Caribbean breezy
U done kno baby girl a tease mi
Tell her fi a while it’s time 2 rent a tile
Style!
Budy bang bang bang bang
Beres
Woman you can’t leave me like this no
Not when the night is so Young girl
When the dance is getting so hot
Oh no, no no no
Like Fia!
You can’t leave me like this
No
Baby girl
You got to give it a shot
I like you a lot
Shani P hold her pon the spot
